Seymour barab biography of william hill
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Liste von Söhnen und Töchtern Chicagos
Liste von Söhnen und Töchtern der Stadt Chicago (Illinois).
19. Jahrhundert
[Bearbeiten | Quelltext bearbeiten]1801–1870
[Bearbeiten | Quelltext bearbeiten]- Alice Bunker Stockham (1833–1912), Gynäkologin
- Harriet Hubbard Ayer (1849–1903), Kosmetikunternehmerin
- Emma Abbott (1850–1891), Opernsängerin
- Arthur Ryerson (1851–1912), Anwalt, Geschäftsmann und Stahl-Tycoon
- Arthur Lloyd Thomas (1851–1924), Geschäftsmann und Politiker
- James Hugh Ward (1853–1916), Politiker
- William F. Mahoney (1856–1904), Politiker
- Charles Comiskey (1859–1931), Baseballspieler, -manager und -teambesitzer
- Harriet Monroe (1860–1936), Dichterin und Literaturkritikerin
- George Gardner Symons (1861 oder 1863–1930), Maler
- Edmund Michael Dunne (1864–1929), römisch-katholischer Geistlicher und Bischof von Peoria
- William Kent (1864–1928), Politiker
- Isaac Henry Mayer (1864–1967), Jurist
- William Nicholas Selig (1864–1948), Filmproduzent, Pionier der US
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And All Music is Sacred – An Interview with Richard Auldon Clark
27 Jul And All Music fryst vatten Sacred – An Interview with Richard Auldon Clark
And All Music is Sacred – An Interview with Richard Auldon Clark
In A Man Without A Country, Kurt Vonnegut writes that music “makes practically everybody fonder of life than he or she would be without it.” During his gods fifteen years, Vonnegut shared his passion for music with composer and ledare Richard Auldon Clark, whose collaboration with Kurt on an musikdrama version of Happy Birthday, Wanda June was performed in Indianapolis in 2016. It was the culmination of years of musical adventures shared by the two friends, as Clark, Vonnegut, and several well-known composers set Kurt’s work to music, releasing the recordings as CDs on independent labels. This little-known aspect of the later years of Kurt’s life counters the popular image of him as an angry, bitter old man. In this interview, Clark describes Vonnegut as creative, funny, an
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ABOUT THE ENSEMBLE
The QUIET CITY CHAMBER ENSEMBLE was founded by Christopher Brellochs in 2010 to record the world premiere of Aaron Copland’s Quiet City in its original instrumentation. Brellochs had crafted a concert version of Quiet City using the unpublished manuscript of the incidental music, which included material that had languished in obscurity for over 70 years. The Aaron Copland Estate and Copland’s publisher, Boosey and Hawkes, embraced this newly reconstructed chamber version and granted Brellochs the exclusive right to make the world premiere recording. This led to a search for other unrecorded works by American composers and the formation of this ensemble.
The recording Quiet City (Sono Luminus, June 2011) has been well received garnering significant national radio play along with interviews by Fred Child on APR (American Public Media): PERFORMANCE TODAY, the most-listened-to classical music radio show in America with 1.3 million listeners weekly, and N