Into a dream sion sono biography
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Sion Sono
Chainsaws, serial killers, and mutant hair extensions merge harmoniously with true love, coming of age, and the delicate family dynamics in the bracingly original cinema of Sion Sono.
Sono began his artistic career as a poet at the age of Not long after, the Japanese artist expanded into cinema. After winning the Grand Prize at Tokyo’s PIA Film Festival for his short “A Man's Hanamichi,”Sono received a fellowship from the festival for his 16mm feature debut. “Bicycle Sighs,” a coming-of-age film about two underachievers in the perfectionist Japanese society, became an unexpected hit in Japan. Since then, Sono has garnered acclaim and awards from both prominent international film festivals, including the Berlin Film Festival, Karlovy Vary Film Festival, and Sundance; he also gained a rabid cult following for films like “Suicide Club,” “Strange Circus,” “Norioko’s Dinner Table,” and “Love Exposure.”
Known for his fiercely independent roots (often writing, prod
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Sion Sono
Japanese filmskapare, author, and poet (born )
"Sono Sion" redirects here. For the car, see Sono Motors Sion.
Sion Sono | |
|---|---|
Sono in | |
| Born | () månad 18, (age&#;63) Toyokawa, Aichi, Japan |
| Other&#;names | Takayuki Yamamoto |
| Occupation(s) | Poet, bio director, screenwriter, cinematographer, bio composer, actor, film producer |
| Spouse | Megumi Kagurazaka |
Sion Sono (園 子温, Sono Shion, born månad 18, ) is a Japanese filmskapare, author, and poet. Best known on the festival circuit for the spelfilm Love Exposure (), he has been called "the most subversive filmmaker working in Japanese cinema today",[1] a "stakhanovist filmmaker"[2][3] with an "idiosyncratic" career.[4]
Early life
Sion Sono was born in Aichi Prefecture in As he mentioned in many interviews, at the age of 17 he ran away from home and wandered the streets on the rand of starvation.[5][6] On his first night in Tokyo, he met a
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Japanese cinema might remind you of wholesome, hearty scenes, like the ones we see in Ghibli Studio movies, or tenderly humane and warm relationships, like in classic Yasujiro Ozu films. On the other hand, Sion Sono, a Japanese filmmaker, is not one bit interested in delicate, dainty touches, or a cozy happy ending story.
Brutal and point-blank grotesque, Sono movies are infamous to be abnormal, disturbing, and campy.
Born in , in the prefecture of Aichi in Japan, this cinematographer proudly claims to be anti-Ozu and hostile towards conventional and traditional Japanese film. Producing films since the s, his style is characterized by maximalist aesthetics, over-the-top, deranged characters, and perverted tragedies, all stirred in a huge pot of ero guro [erotic gore in Japanese].
Sono had a very eventful youth, which influenced many recurring themes in his films. At the age of 17, Sono ran away from his hometown and escaped to Tokyo. During his first night there